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Julian Patrick Barnes is a contemporary English writer of postmodernism in literature. He has been shortlisted three times for the Man Booker Prize— Flaubert’s Parrot (1984), England, England (1998), and Arthur & George (2005), and won the prize for The Sense of an Ending (2011). He has written crime fiction under the pseudonym Dan Kavanagh.
By an acclaimed writer at the height of his powers, The Sense of an Ending extends a streak of extraordinary books that began with the best-selling Arthur & George and continued with Nothing to Be Frightened Of and, most recently, Pulse.
This intense novel follows a middle-aged man as he contends with a past he has never much thought about – until his closest childhood friends return with a vengeance, one of them from the grave, another maddeningly present. Tony Webster thought he’d left all this behind as he built a life for himself, and by now his marriage and family and career have fallen into an amicable divorce and retirement. But he is then presented with a mysterious legacy that obliges him to reconsider a variety of things he thought he’d understood all along, and to revise his estimation of his own nature and place in the world.
A novel so compelling that it begs to be read in a single sitting, with stunning psychological and emotional depth and sophistication, The Sense of an Ending is a brilliant new chapter in Julian Barnes’s oeuvre.
Daniel Johnson Standpoint: “An extremely moving, a precise book about the imprecision of memory and how it constructs people, stories and histories.” — Alasitair Bruce Guardian “Intriguing and engaging.” — David Robb Daily Express “Packs quite an emotional punch… Julian Barnes unravels the mystery with masterly skill. He springs surprise after surprise without stooping to sensationalism in a crisp, engaging tale” — Max Davidson Daily Mail “Written in beautifully cadenced prose, it is a mature writer’s reflections on love and marriage… on family and friendship, on work and death” Time Out “There is no catastrophe, simply a dawning awareness of the past, its consequences and its meaning for the present. It is a familiar narrative structure, but in the hands of the master-wordsmith that Barnes has become, the effect is cumulatively overwhelming… A compelling, disturbing and profoundly moving story of human fallibility”
“Elegant, playful, and remarkable.” — The New Yorker
“A page-turner, and when you finish you will return immediately to the beginning.” — San Francisco Chronicle
“Beautiful. . . . An elegantly composed, quietly devastating tale.” —Heller McAlpin, NPR
“Dense with philosophical ideas. . . . It manages to create genuine suspense as a sort of psychological detective story.” —Michiko Kakutani, The New York Times
“Evelyn Waugh did it in Brideshead Revisited , as did Philip Larkin in Jill [and] Kazuo Ishiguro in The Remains of the Day. Now, with his powerfully compact new novel, Julian Barnes takes his place among the subtly assertive practitioners of this quiet art.” — The New York Times Book Review
“[A] jewel of conciseness and precision…. The Sense of an Ending packs into so few pages so much that the reader finishes it with a sense of satisfaction more often derived from novels several times its length.” — The Los Angeles Times
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